Over the past week, remarkable new releases have continuously emerged. They are STAYC, who returned with their 3rd mini album [TEENFRESH] six months after their audacious self-assertive song ‘Teddy Bear,’ and JIHYO (TWICE), who temporarily stepped out from TWICE's embrace to challenge herself as a solo artist with her 1st mini album [ZONE]. Among the numerous girl groups that define today's K-pop scene, we will delve into these two songs, each possessing its distinct charm while retaining unique strengths. If you're a fan who regularly enjoys the music of these two artists, this is a segment you can't miss.
A splendid parade gracing the tail end of summer, STAYC's ‘Bubble’
Under a majestic atmosphere, brilliant scenes are unfolding with fireworks echoing from all around. From the onset, their 3rd mini album [TEENFRESH] immediately reveals its theme, emphasizing youthfulness and freshness. Given that the album captures the essence of their group's identity, significant effort was put into encapsulating STAYC's essence in the central title track, ‘Bubble’.
In their latest song, a structure that combines the relaxed build-up of ‘ASAP,’ which uses a straightforward beat, and ‘Teddy Bear,’ which adopts a catchy melody that evokes a thrilling sensation as its hook, stands out. Moreover, the rapid transition that swiftly moves to the highlight section, combined with the assertive power of the drumming, is reminiscent of the tempo in ‘SO BAD’. This is truly like a comprehensive gift set from STAYC where you can enjoy various flavors at once. By strategically introducing familiar components, another ‘trustworthy’ STAYC signature anthem has emerged.
The lingering synthesizer sound, witty lyrics filled with wordplay, and the popping sound effect that emerges as they repeatedly sing ‘They talkin bubble bubble bubble’ might be considered minor details. However, they seamlessly integrate into the song, enhancing STAYC's unique color and flavor. This is unmistakably the handiwork of Black Eyed Pilseung, the head of their agency and also their primary producer. From the playful doodle-style cover to the parade bursting with exuberant and positive energy, this song feels like experiencing fireworks through sound.
Drawing a Fatal Card, JIHYO (TWICE)'s ‘Killin' Me Good’
Her latest album is named [ZONE], stemming from the notion that this is JIHYO(Z)'s first work (ONE). This indicates her serious effort to carve out her own ‘zone’. Moving away from the bubbly, youthful image of TWICE's early days, her concept photos and vocal style now showcase a bolder and more mature persona. The song creates a complex and nuanced ambiance, characterized by its unpredictable keyboard melodies and a variety of modulating sound sources. While there's a dark and ominous aura enveloping the surroundings, she undoubtedly possesses her unique and irresistibly fatal allure.
The involvement of JYP's head, Park Jin-young, in her latest album is certainly a highlight. The lyrics that deal with catastrophic love, interspersed with light touches of New Jack Swing-style kicks and snares, are reminiscent of Park Ji-yoon's ‘Coming of Age Ceremony’ (2000) and bear his signature. From a compositional perspective, the intuitive and poppy colors distinctive to Black Eyed Pilseung, who composed hits like ‘OOH-AHH,’ ‘CHEER UP,’ and ‘TT,’ have been set aside to shine a different spotlight on JIHYO. Comparing this with the previously mentioned elements from STAYC offers an interesting analysis.
Above all, her powerful vocal tone stands out, confidently taking the reins even amidst the intense progression laid out in the first half. Considering that TWICE members Nayeon and MISAMO have already made their respective pre-debut appearances, JIHYO, the next in line, has successfully imbued this album with a unique aura, crafting a multi-dimensional character and asserting her presence. It's a clear declaration of independence, highlighting her confidence and capabilities.
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